Mixing Progress
Nov. 2nd, 2011 07:26 amI felt like I was spinning my wheels on the album--doing a lot of recording but not really making any progress. Part of my problem was mixing. As in, not mixing enough to keep up with the recording.
Mixing is tough for me because it involves a lot of decisions. "Which take is better, A, or B? Is this weak note weak enough to warrant cutting out a piece from a different take and patching it in? Where I made this patch--is it noticeable? Should I just give up and record this vocal line over at my next session? This mandolin part--is this as good as I can play it, or should I try again next time?"
There's also the fact that after I've done nothing but listen for flaws for an hour or two, songs with flaws are painful and really, if you listen closely, all of my songs have flaws.
But mostly it's the decisions. Making decisions tires out my willpower and I hit a point where I either can't decide or start deciding randomly, or making a default "safe" decision ("do it over; that way I don't have to decide if it's good enough until next time.") Which is not very productive. Actually, the random decisions might be fine. In many cases the decision is difficult because I can't hear much difference between the two options; in which case a quarter is a fine decision-making machine. Or want-clarifying machine if I don't like the way it came down.
Anyway I talked about this a bit with Alice on the trip to OVFF and she made some suggestions. I've decided to do an hour of mixing every day, rather than aim to mix a song or x number of songs every week. Some days I've been doing two hours of mixing with a break in between. I asked Bill Sutton and he said he sometimes spent hours on a single track, so it sounds like no, I'm not pushing this to ridiculous extremes.
So I have preliminary mixes of Providence Skies, Somebody Is Waiting To Eat My Soul and Swan May as well as Art Feeds Life and Hold The Line which I mixed a while ago and put on Bandcamp. Which makes a quarter of my album. Okay, it seems to be working.
Mixing is tough for me because it involves a lot of decisions. "Which take is better, A, or B? Is this weak note weak enough to warrant cutting out a piece from a different take and patching it in? Where I made this patch--is it noticeable? Should I just give up and record this vocal line over at my next session? This mandolin part--is this as good as I can play it, or should I try again next time?"
There's also the fact that after I've done nothing but listen for flaws for an hour or two, songs with flaws are painful and really, if you listen closely, all of my songs have flaws.
But mostly it's the decisions. Making decisions tires out my willpower and I hit a point where I either can't decide or start deciding randomly, or making a default "safe" decision ("do it over; that way I don't have to decide if it's good enough until next time.") Which is not very productive. Actually, the random decisions might be fine. In many cases the decision is difficult because I can't hear much difference between the two options; in which case a quarter is a fine decision-making machine. Or want-clarifying machine if I don't like the way it came down.
Anyway I talked about this a bit with Alice on the trip to OVFF and she made some suggestions. I've decided to do an hour of mixing every day, rather than aim to mix a song or x number of songs every week. Some days I've been doing two hours of mixing with a break in between. I asked Bill Sutton and he said he sometimes spent hours on a single track, so it sounds like no, I'm not pushing this to ridiculous extremes.
So I have preliminary mixes of Providence Skies, Somebody Is Waiting To Eat My Soul and Swan May as well as Art Feeds Life and Hold The Line which I mixed a while ago and put on Bandcamp. Which makes a quarter of my album. Okay, it seems to be working.