I've been practicing pretty much since I decided to record a CD. But what I started out doing is what might be termed repertoire practice--single time run-throughs of songs I wrote in the manner I meant to perform or record them, running each song once and moving on to the next song.
Along about April I decided I needed to get more serious on the mandolin and started a daily half hour practice of 6 mandolin instrumental pieces repeated first at a slow pace and then speeding up, for five minutes each (I set a timer.) I started with six pieces but that was boring so I added new ones until now I have about fourteen or so that I kind of rotate through. The original idea was that I wanted to get better at mandolin instrumentals so I could toss them into my sets here and there to give my voice a rest.
This seems to be working nicely. Let's just say that I am not bored with the improvements in my playing yet and leave it at that.
A few days ago it occurred to me that I should be doing something similar with the octave mandolin. I was working on my Fairy Willow song and noticed how much easier it was to learn and play the mando part than the octave mando part, and realized that mando practice wasn't just making me better on pieces I knew well--it was making me better at playing pieces I didn't know well and making me better at learning pieces quickly.
Practice isn't just practice playing--it's practice practicing--practice learning.
The down side is that repertoire practice has kind of slacked off and I need to get back on that. Especially since I need to maintain The King's Lute repertoire while building the next album's repertoire. Which means more time, dammit. But I thought it was interesting anyway.
Along about April I decided I needed to get more serious on the mandolin and started a daily half hour practice of 6 mandolin instrumental pieces repeated first at a slow pace and then speeding up, for five minutes each (I set a timer.) I started with six pieces but that was boring so I added new ones until now I have about fourteen or so that I kind of rotate through. The original idea was that I wanted to get better at mandolin instrumentals so I could toss them into my sets here and there to give my voice a rest.
This seems to be working nicely. Let's just say that I am not bored with the improvements in my playing yet and leave it at that.
A few days ago it occurred to me that I should be doing something similar with the octave mandolin. I was working on my Fairy Willow song and noticed how much easier it was to learn and play the mando part than the octave mando part, and realized that mando practice wasn't just making me better on pieces I knew well--it was making me better at playing pieces I didn't know well and making me better at learning pieces quickly.
Practice isn't just practice playing--it's practice practicing--practice learning.
The down side is that repertoire practice has kind of slacked off and I need to get back on that. Especially since I need to maintain The King's Lute repertoire while building the next album's repertoire. Which means more time, dammit. But I thought it was interesting anyway.